Plot summary (from the studio): In his highly acclaimed novel Never Let Me Go, Kazuo Ishiguro (The Remains of the Day) created a remarkable story of love, loss and hidden truths. In it he posed the fundamental question: What makes us human? Now director Mark Romanek (ONE HOUR PHOTO), writer Alex Garland and DNA Films bring Ishiguro’s hauntingly poignant and emotional story to the screen.
Kathy (Oscar nominee Carey Mulligan, AN EDUCATION), Tommy (Andrew Garfield, BOY A, RED RIDING) and Ruth (Oscar nominee Keira Knightley, PRIDE & PREJUDICE, ATONEMENT) live in a world and a time that feel familiar to us, but are not quite like anything we know. They spend their childhood at Hailsham, a seemingly idyllic English boarding school. When they leave the shelter of the school and the terrible truth of their fate is revealed to them, they must also confront the deep feelings of love, jealousy and betrayal that threaten to pull them apart.
Warning: Spoilers below!
Liked:
- Carey Mulligan is such a good actress that she blew her two costars out of the water. My eyes were on her for practically the entire film because she was so mesmerizing.
- I’m glad that the movie adaptation stayed mostly faithful to the book and there wasn’t some ridiculous Hollywood ending attached to give it more appeal.
- One small detail I liked was during Ruth’s third donation, when she “completed.” The medical personnel just cleared out of the room without giving her a second thought. No one announced her time of death or even bothered to cover her face with a sheet. She obviously wasn’t human to them.
- The scene at the headmistress’ house where Tommy and Kathy thought they could get a deferral was poignant in a pathetic way. I don’t think Kathy ever bought into the notion 100%, but dim bulb, naive Tommy fell for it hook, line, and sinker.
- Kath’s calm acceptance of her fate at the end of the movie and her rumination that her lot might not be any worse than a “receiver” because “everyone completes.” That was just wonderful.
Disliked:
- Usually I complain that movies are too long these days, but I had the opposite problem with Never Let Me Go. Because it was so short, we didn’t get nearly enough time with the characters as adults. This made it hard to connect with them and figure out their motivations.
- Andrew Garfield was just terrible in this! I loved him as Eduardo Saverin in The Social Network, but he was godawful as Tommy here. I couldn’t stand his take on the character (especially whenever he went on and ON about his stupid-ass drawings) and wanted him off my screen as soon as possible.
- Keira Knightley wasn’t much better, to be honest. She’s usually at least easy on the eyes, but I wasn’t digging her dingy brunette look in this one.
- I didn’t understand the need for Ruth (Keira) to apologize to Tommy and Kathy at the end of the film. She may have done her best to deliberately keep them apart while at school, but where was Tommy’s culpability in all that? She wasn’t holding him against his will, so he needs to accept some of the blame. Then when they left the Cottages, if Tommy and Kathy were such star-crossed lovers, why didn’t they make any attempt to hook up over the next 10 years?
Rating:
I thought the book version of Never Let Me Go was better because it allows you to get to know the characters better and gain some more insight into them. But this isn’t a terrible adaptation, and at just 97 minutes long (excluding credits), it is certainly very watchable. Carey Mulligan elevates what would have been a 2-star movie into something a little bit better. I give this one 3 stars out of 5.
NCIS 9×23– “Up in Smoke”: As I said last week, I don’t care for these multi-episode arcs. Didn’t they do the same sort of thing last year in the eps leading up to the finale with that serial killer storyline? It’s just so boring because these temporary characters that we can’t possibly care about (even if it is Toby Ziegler this time around) take over the screen dominate the hour with their dumb plots against the entire Navy (and Gibbs too!). And do any viewers even care that Vance has been kidnapped? He hasn’t been in the past few episodes, and I can’t say that I’ve missed him. If he never returned again, would the show suffer? No, so why should I be concerned over this stupid “twist”? Thank god the season ends next week.
Criminal Minds 7×22 — “Profiling 101″: This episode was kind of boring, but at least I didn’t have to watch some random unsub the whole time. I wish this show would get back to its roots, which is profiling. When was the last time the team came up with an interesting profile beyond the “white male, 30-40 years old, etc.”? Remember in Season 1 when Gideon predicted one of the killers would have a limp??? Now THAT was a profile! These days it seems that nothing differentiates the killers except their motive — and that’s not very interesting at all.
Modern Family 3×22 — “Disneyland”: This episode was okay, but not all that great. I have never been much of a Dylan fan, so I’m not exactly thrilled to see him back in the fold. Claire’s reactions to him throughout were pretty priceless, though. I also liked how Jay figured out that Gloria’s shoes were causing her to be miserable. I can’t even tell you how many times I’ve seen that same situation: women wearing heels to go hiking or something. It’s just stupid!
Castle 4×23 — “Always”: The ONLY part of this episode that I was interested in was the Castle/Beckett hookup at the end, so I barely paid attention to the stuff that came before. As a longtime shipper, I have to say that this was a satisfactory resolution to all the UST that has built up over the years. Plus, I liked that Castle pushed her away at first and that she apologized before he haltingly accepted her. Both of those things needed to be done, because where Castle was at earlier in the episode, he wouldn’t have just accepted her with no questions asked. I still think this whole thing came way, WAY too late, but at least they’ve done the deed (presumably, since they seemed to be walking off towards the bedroom there) and now everyone can move on.
The Good Wife 3×22 –”The Dream Team:” This finale was pretty disappointing, IMO. I am not really interested in Kalinda’s big, bad husband, and I’m getting tired of the firm always teetering on the brink of bankruptcy. That has been a running theme for three seasons now, and it’s just kind of annoying at this point. Can’t they find some other source of “conflict” for the firm? I did like Patty Nyholm teaming up with Canning, though. That provided some comic relief in an episode where not much actually seemed to happen. 