Last night’s episode of Entourage was called No Cannes Do, and it seemed like not a whole lot happened in the 30 minutes. I was hoping for something more, especially since there’s only one episode left before the traditional mid-season hiatus, but I guess it wasn’t meant to be. At any rate, the recap is going to be short and sweet today, so let’s get right to it.

Vince/E/Turtle/Drama/Ari/Billy: All of these guys are trying to make it out of LAX to Cannes in time for the first public showing of Medellín, but thanks to a terror alert, all flights are delayed for several hours. In fact, many flights, including the one that the boys are supposed to be on, get canceled entirely. It’s then up to Ari to try to find a way for them to get to France.

Ari manages to get them a ride on Sydney Pollack’s private jet, but there would only be five spots available. Turtle offers to stay behind, but Vinnie wouldn’t hear of it. Either the whole team goes together, or none of them do. Even Billy agrees to this arrangement.

Fortunately, Kanye West happens to walk in on his way to London. He’s got a huge private plane where space definitely won’t be an issue. Everyone hops on board and now they’re on their way to Cannes.

Eric/Anna Faris: When Billy finds out that E now represents Anna Faris, he gets Eric to set up a meeting between them. Billy wants Anna to be in Lost in the Clouds, even though Eric doesn’t think that’s such a good idea. They all have lunch, and Anna doesn’t know what to make of Billy. She can’t tell whether he’s joking or being serious, which makes things a bit awkward.

Later on, she decides to pass on the script because she doesn’t understand it. Vinnie gets mad at E for not convincing Anna to get on board, so E goes back to Anna’s place to persuade her to take the role. She agrees, but E feels bad for lying to her and eventually tells her the truth. Anna turns down the role and is no longer working with Eric.

My Reaction: Boring, boring, boring!! The only thing I found remotely interesting about this episode was the way Sydney Pollack told Ari that he wasn’t “completely sold” on Vinnie Chase yet. I took that to be a bit of foreshadowing regarding Medellín; I say the film bombs at Cannes, putting Vinnie’s career in jeopardy and dooming the next Chase-Walsh project before it even gets off the ground. From every Vincent Chase film clip ever shown on Entourage, it’s clear that the guy can’t act. I think Medellín will be the film that finally exposes him for the hack that he really is.

At least, I hope this is the direction the writers take. They could always go the other way and make Medellín be an Oscar-worthy success, but I think having the film fail would be much better for the show in the long run.

I just hope next week’s episode actually tells us something and doesn’t leave us hanging for six months!