Plot summary (with possible spoilers): Francis (played by Owen Wilson), Peter (Adrien Brody), and Jack (Jason Schwartzman) Whitman are three American brothers who haven’t spoken to each other in over a year. By arrangement, they meet on a train called the Darjeeling Limited for what is intended to be a “spiritual journey” through India. Francis has planned the journey, which is to include some surprise stops on the way, and is supposed to finish with a reunion with mother Patricia (Anjelica Huston), who long ago abandoned the boys and their father in order to join a convent in India.
The brothers’ personalities are markedly different, which causes some conflict and friction on the journey. Moreover, each is dealing with his own unique set of problems in addition to what’s currently happening to them. For instance, Francis shows up on the train with a heavily bandaged head and a noticeable limp, the results of a motorcycle accident. Peter’s wife is expecting the couple’s first baby, yet instead of being happy about the prospect, Peter for some reason believes that they’ll get a divorce soon. Jack is trying to get over a controlling ex-girlfriend, but can’t seem to stop listening to her answering machine messages at every chance — even after he starts up an affair with Sweet Lime (Amara Karan), the train’s stewardess.
As the film progresses, the men find themselves in one strange situation after another, particularly after they get kicked off the train in the middle of the desert for breaking a few rules. And though nothing seems to go right on the journey, the men do discover a few worthwhile things about themselves and each other along the way.
My Reaction: I remember wanting to see The Darjeeling Limited back when it first came out, but for one reason or another, I never got around to it until just recently. I thought the film had received rather good reviews when it was released, so I was looking forward to a great story. Unfortunately, nothing ever really developed.
First, I want to make it clear that I’m not a Wes Anderson fan, and though I found films like Rushmore and The Royal Tenenbaums amusing, I don’t go crazy for his brand of comedy. So in this regard, I didn’t expect to emerge from this viewing gushing with praise for the film. Still, I was hoping to be treated to a good story, but as I said, that didn’t happen. In fact, the events of the film seemed so completely random and unconnected to the characters’ lives that I just didn’t get the point. What exactly was discovered on this journey of self-enlightenment? That each of the Whitman brothers has his own particular set of neuroses that won’t be “cured” anytime in the near future? Big deal! That applies to nearly everyone.
I wish I could say that some of the acting performance made up for deficiencies in the script, but that’s not really the case. Owen Wilson and Jason Schwartzman are as annoying as ever, and Adrien Brody just seemed completely out of place in a film like this.
Overall, I can’t say I liked The Darjeeling Limited very much. I guess Wes Anderson’s films appeal to a certain demographic, and I’m just not part of that group. If you think misadventures with pepper spray and seeing someone wear their dead father’s accessories are a hoot, then you’ll love this movie. As for me, I give it 1 star out of 5.
Plot summary (with possible spoilers): The film opens in late 1881, when the infamous James Gang, led by outlaw brothers Jesse (played by Brad Pitt) and Frank (Sam Shepard) is finally on the decline after terrorizing Missouri and other parts of the West for many years. They pull off one final train robbery at Blue Cut, and then head their separate ways. Among the gang members at the time were Charley Ford (Sam Rockwell) and his kid brother Robert (Casey Affleck), who, at 19, is desperately trying to earn Jesse’s respect and a more active role in heists. Robert has idolized Jesse since he was a kid, and wants to be deemed worthy by the infamous killer.
Plot summary (with possible spoilers): In 19th-century France, a merchant named Baldabiou (played by Alfred Molina) has discovered a way to raise silkworms, thereby allowing him to manufacture silk garments to satisfy the needs of French society. The only problematic part of the entire process is transporting the silkworm eggs from Africa back to Europe. This is a difficult task even under the most favorable circumstances, so when the last crop of silkworms is wiped out by disease, Baldabiou decides to buy from Japan instead.
Plot summary (with possible spoilers): Robert De Niro stars as Ben, a haggard Hollywood producer whose life seems to consist of putting out one fire after another. First of all, his latest film, Fiercely, has tested very poorly with audiences, mostly due to the fact that at the end, the director Jeremy Brunell (played by Michael Wincott) chose to have the protagonist’s dog shot on camera, with blood spattering the lens and everything. Studio head Lou Tarnow (Catherine Keener) demands that Brunell change the ending, but he holds out because of “artistic value”. As he doesn’t have final cut in his contract, however, he basically has to edit the film before Cannes, so Ben works on soothing Brunell’s ego.
Plot summary (with possible spoilers): Based on a true story, Defiance opens in Eastern Europe in 1941, in the midst of World War II. Hitler’s Nazis are in the process of rounding up and slaughtering Jews. Among the casualties are the parents of Tuvia (played by Daniel Craig), Zus (Liev Schreiber), and Asael (Jamie Bell) Bielski. The Bielski brothers manage to survive, fleeing into a nearby forest to escape from the continued persecution.
Plot summary (with possible spoilers): Seven Pounds opens with Ben Thomas (played by Will Smith) calling 911 from his motel room. Send an ambulance, he says. There’s been a suicide. When the operator asks who the victim is, Ben responds that he is — which of course leads to the requisite flashbacks to show the audience just how Ben came to that point.
Plot summary (with possible spoilers): By day, Tank Turner (played by Dane Cook) is a phone operator at a customer service call center. By night, he’s a relationship “facilitator” who helps guys win back their girlfriends after being dumped. How does he do this? By taking the newly-single girl out on a date and acting like a complete, obnoxious jackass, thereby convincing the girl that her ex wasn’t so bad after all.
Shia LaBeouf is one of those actors for whom I harbor an irrational dislike. I find him to be quite annoying in movies (the only film he’s starred in that I even remotely enjoyed was Transformers), plus I think he’s ugly and whiny. And yeah, these are rather shallow assessments on my part, but it’s no worse than someone liking Zac Efron just because he’s “hot”.
Out of all the film genres out there, teen comedies are probably my least favorite. This might cause me to worry that I’m just too old and out of touch to understand the younger generation, but I had John Hughes movies to lean on when I was in that age group, and no one has been able to fill his shoes since then. Today’s teen movies aren’t nearly as smart, funny, or insightful as Hughes’ stuff when he was in his prime, so there’s usually no reason to get excited about these films.
A “ticking clock” element in a film usually serves to give the action a sense of urgency. A bomb will explode in 10 minutes unless the hero can deactivate it. The FBI have 1 hour to give into a terrorist’s demands or else a bunch of hostages will die. There’s only 30 minutes’ worth of oxygen left in the craft before the crew suffocate to death. The ticking clock puts viewers on the edge of their seats as they wonder whether or not the rescue will be made in time.