Real life is not all that much different from high school. While adults might not divide themselves into the neat cliques of The Breakfast Club, they do tend to run with those of the same social status. So just as in high school when one of the cool kids suddenly befriends a bookish nerd, you can be sure there’s an ulterior motive at play, the same situation played out in the adult world would raise similar warning flags. That’s what happens at the beginning of the 2008 film Deception — and there is indeed a cold calculation involved in the new friendship.
Plot summary (with possible spoilers): Jonathan McQuarry (played by Ewan McGregor) is an accountant whose job requires him to spend several days at different firms performing audits. As the film opens, Jonathan is going over a law firm’s books late at night when one of the attorneys comes in and starts talking to him. The man introduces himself as Wyatt Bose (Hugh Jackman), and the two immediately hit it off. In fact, they end up smoking a joint in the boardroom and talking well into the night.
The two meet again for tennis the next day, and it’s clear that Jonathan is completely in awe of Wyatt’s easy, confident manner, his wealth, and his way with women. On his own, Jonathan could never have what Wyatt has, but as Wyatt’s friend, perhaps he can experience some of the same things — which is precisely what happens after the two accidentally walk off with each other’s cell phones. The mistake can’t be ironed out right away, as Jonathan has taken off for London on business.
Jonathan receives a mysterious call from a woman who simply asks, “Are you free tonight?” and gives Jonathan a hotel name. Before he can explain that he’s not Wyatt, the woman hangs up. Jonathan goes to the rendezvous point, and quickly learns that the appointment is for sex. He goes through with it, surprised that the woman doesn’t care about his name, doesn’t talk much, and doesn’t require payment. Later, it’s revealed that Wyatt is part of a high-class sex club where members hook up in this fashion without bogging themselves down with personal details.
After talking to Wyatt and getting his permission to enjoy the club, Jonathan continues to go out for more hookups. On one occasion, his partner turns out to be a woman known only as “S” (Michelle Williams). He had actually seen the woman at the subway after smoking pot with Wyatt, and was already smitten with her. Jonathan convinces her to break club rules and talk to him instead of having sex, which leads to him falling even more deeply in love with her.
Everything goes to pieces, however, when Wyatt returns. He kidnaps S, threatening to kill her and frame Jonathan for the murder unless Jonathan transfers $20 million out of secret accounts from the next firm that he audits. Jonathan catches a break when he finds out Wyatt’s true identity, and from there starts hatching his own plan to foil the villain.
My Reaction: I usually like thrillers, so long as there’s an element of mystery to them. That wasn’t the case with Deception, however, as its very name gives away far too much. It puts the audience on notice right from the start that nothing should be taken at face value, and therefore, when the “reveal” about Wyatt came out, it wasn’t a surprise at all. Viewers are suspicious of him from the start, so it’s just exasperating that it takes Jonathan that long to catch up.
There were numerous other problems with the film as well, not the least of which was the fact that the whole sex club subplot was far more interesting and intriguing than a run-of-the-mill embezzlement scheme. The screenwriters would have fared much better sticking with the club aspect rather than dropping it like a hot potato at the midway point. But since the club was just a device used to get Jonathan and S together, there was really no way to fit it in after that initial setup.
The biggest problem of all, though, was the inanity of Wyatt’s scheme. It basically depended on Jonathan falling in love with S at first sight and wanting nothing more than to be with her. I don’t know about you, but that seems like a pretty shaky foundation to build a $20 million scheme on. Yes, there was the whole bit about framing Jonathan for the woman’s murder, but to get to that point in the first place required the falling in love part. How utterly ridiculous!
Overall, Deception lacked any kind of mystery, suspense, or plausibility, rendering it a complete waste of time. I give the film 1 star out of 5, and recommend that you stay away from it!
There are few things I like better in this world than a good suspense film to keep me on the edge of my seat for a couple of hours. That’s what I thought I’d be getting in Wicker Park, the 2004 remake of a French film called L’Appartement. I’ve never seen the original, so can’t compare the two films, but I was basing my expectations on the relatively high rating Wicker Park currently has on IMDb.com. After watching the film, however, I’d have to say that it’s slightly overrated on that site.
As much as I love films that are based on true stories, the ones involving serial killers are usually a bit too scary for my tastes, so I tend to avoid those. That’s why I never saw the David Fincher film Zodiac when it was playing in theaters earlier this year. I didn’t want to end up getting nightmares for several weeks because of the contents of the movie, so I steadfastly avoided it.
Most movies about serial killers present the story from the point of view of the detective or FBI agent working the case. After all, the audience wants to sympathize with and root for the main character — and that’s hard to do if the lead is wiping out innocent victims left and right. So we end up cheering for the man or woman who’s out for justice.
I like crime movies and really enjoyed L.A. Confidential, which was of course based on the James Ellroy novel of the same name. So when I heard that the 2006 film The Black Dahlia was also based on a James Ellroy novel, I just knew I couldn’t pass it up. Plus, the film was directed by Brian De Palma, whose lengthy resumé includes The Untouchables, Carrie, and Scarface — all of which I thought were very good. In other words, The Black Dahlia seemed like a sure thing for me.
Since I started watching 24 six years ago, Kiefer Sutherland has become one of my favorite actors. I knew that he was in a lot of movies before making the switch to television, but I guess I just didn’t realize how long his film resumé is. I remembered his roles in Stand By Me, The Lost Boys, Young Guns, and A Few Good Men, of course, but he’s been in A LOT of other movies as well, including 1993′s The Vanishing. I just watched The Vanishing the other day, and here’s what I thought of it.
I used to be a huge Stephen King fan when I was in junior high, but then I basically grew out of that phase and turned my attention to headier stuff. I went years and years without reading a King book, but could keep up with his work by watching the movie versions. It astounds me that Stephen King books continue to make it to the big screen since they’ve historically not been box office successes (with a few notable exceptions along the way: Stand By Me, Misery, The Shawshank Redemption, The Green Mile).
I haven’t liked an M. Night Shyamalan movie since 1999′s The Sixth Sense, yet I keep watching and watching in the hopes that he’ll regain the form that once catapulted him to Hollywood golden boy status. I know that some people would say that his recent movies are every bit as good (or perhaps even better) than The Sixth Sense, but I definitely don’t feel that way. So when I heard that The Lady in the Water received bad reviews, I wasn’t surprised. And yet, I felt compelled to watch nevertheless.
I usually don’t watch horror movies because the monsters, zombies, psycho killers, blood, and gore generally seem to come off as funny rather than scary. I then spend the entire time thinking “Oh, right, like that would
I’m on a quest to view all the Best Picture Oscar winners dating all the way back to when the award was first presented in 1928. Towards that end, I recently watched